Near the top of the vague and amorphous list of ways in which I'd like to improve as a reviewer is the desire to get better at writing about really good books. It's not just that, as Anton Ego tells us, negative reviews are fun to write; they're also easier. The problems in a book--not just bad books but good-yet-flawed ones as well--are like cracks in a rock face. They're points of access,
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